The main stage in twlight. |
My fourth trip (Trip I, Trip II, Trip III) to Sauti za Busara was another total success.
I’ve written at length about how much I love the music festival and
it did not disappoint this year. The event planning was top tier
professional with excellent sound, punctual performance times, great concessions and crowd control.
I’m a bit unique as a festival goer in that I am totally
focused on seeing as much music as possible but this requires some
strategic planning and pacing. Music begins just after 4pm with two
performances in the public Forodhani Gardens stage located just
outside the festival venue. These performances are great in that
large crowds gather and the general public finds themselves curious.
However, it’s usually pretty warm although the stage is right next
to the sea which typically gives some sea breeze. Nearly all of the
bands that play the early slot also play at a later date and/or time
but for those that enjoy a more subdued vibe the Forodhani
performances are perfect. From around sunset the performances move
inside the venue at the main stage and every half hour or so there is
a new act either in the smaller more subdued amphitheater (majority of
people sitting) or the larger main stage.
I think the festival
does an excellent job mixing the styles and performance times of the
bands and especially highlighting music for younger crowds late on
Friday and Saturday. If someone doesn’t like to dance and party but
is interested in the music they can catch the early performances and
head home by 10 or 11pm. If you want a more lively scene you can head
in after dinner and enjoy music utnil 1am. Something for everyone!
My favorite thing
about Sauti za Busara is not knowing any artists and being constantly
surprised. Although the artist descriptions are usually spot on, it’s
obviously impossible to know if you’ll like a certain band only by
reading the festival booklet. This year my top three artists were
Evon from Uganda (amazing voice), Tarajazz from Zanzibar (jazz/taarab
fusion, drummer was off the hook!) and Sinaubi and Zawose Spirit
Group from Tanzania (traditional music mixed with pan African
instruments, insane hand drum player!!!). There wasn’t a bad act
and as usual I loved the variety from percussion based traditional
sounds to full band hip-hop and even electronic afro-pop. So many
styles that I am unfamiliar with and the ability for the festival
organizers to continually choose fresh artists never ceases to amaze
me.
Out of 31 artists I
saw performances by 28, which I consider a success! Although I’d
love to see each artist, it’s difficult to juggle all the activities
and keeping the energy high. I had some great interactions with
foreigners and locals alike an marveled in the mixing of people from
all over the world. As someone that comes specifically for the music
I’m always surprised that the majority of people only come for a
day or two of the fest, though this makes sense if you’re looking
to combine the trip with a beach holiday. It is the one drawback of
the fest being in Stonetown because the nearest nice beaches are
about an hour or two away which means it’s not really feasible to
stay somewhere on the beach unless you want to take the long taxi
after the show. However, I wouldn’t fault someone for staying on
the beach and coming for only a night or two.
Sauti za Busara
remains one of my favorite events and I’m already looking forward
to next year…
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